
{"id":47,"date":"2016-03-23T16:58:14","date_gmt":"2016-03-23T16:58:14","guid":{"rendered":"http:\/\/labs.la.utexas.edu\/gilden\/?page_id=47"},"modified":"2022-08-31T21:22:31","modified_gmt":"2022-08-31T21:22:31","slug":"psy-355m","status":"publish","type":"page","link":"https:\/\/labs.la.utexas.edu\/gilden\/psy-355m\/","title":{"rendered":"Cognitive Psychology of Music (PSY 355M)"},"content":{"rendered":"<p><b>Professor:<\/b> David Gilden<br \/>\nOffice: SEA 5.118<br \/>\nEmail: <a href=\"mailto:dgilden@utexas.edu\">dgilden@utexas.edu<\/a><br \/>\nOffice hours: By Zoom appointment<\/p>\n<p><a href=\"http:\/\/labs.la.utexas.edu\/gilden\/review\/\">Study Questions<\/a><\/p>\n<hr \/>\n<p><strong>Readings:<\/strong><\/p>\n<p>You can access the readings for class here. Some of the readings are in PDF format, and others are links to other websites.<\/p>\n<p>NOTE: To view pdf files, you need Adobe Acrobat reader. If you do not have Acrobat Reader, you can download it <a href=\"http:\/\/www.adobe.com\/products\/acrobat\/readermain.html\">here.<\/a><\/p>\n<p><strong><big><br \/>\nPhysics of Sound<\/big><\/strong><br \/>\n<a href=\"http:\/\/www.phys.unsw.edu.au\/jw\/strings.html\">Strings, standing waves, and harmonics*<\/a><br \/>\n<a href=\"http:\/\/cnx.org\/content\/m12589\/latest\/\">Standing waves and wind instruments<\/a><br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=-gr7KmTOrx0\">Standing wave demonstration*<\/a><br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=LvYbfGruLCo\">Standing wave superposition<\/a> (video)*<br \/>\n<a href=\"http:\/\/www.walter-fendt.de\/html5\/phen\/standingwavereflection_en.htm\">Standing wave superposition<\/a> (demo; requires Java plugin)*<br \/>\n<a href=\"https:\/\/en.wikipedia.org\/wiki\/Standing_wave\">Standing waves<\/a> (Wikipedia entry)*<br \/>\n<a href=\"http:\/\/cnx.org\/content\/m11118\/latest\/\">Harmonic series<\/a><br \/>\n<a href=\"http:\/\/www.phys.unsw.edu.au\/jw\/pipes.html\">Pipes and harmonics<\/a><br \/>\n<a href=\"http:\/\/www.youtube.com\/watch?v=Xm2mlNL054A\">Singing bowl<\/a><br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/04\/SoundsTasteSweet.pdf\">When colored sounds taste sweet<\/a> (Beeli, Esslen, &amp; J\u00e4ncke, 2005)*<br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/04\/SoundsTasteSweet-Supp.pdf\">When colored sounds taste sweet<\/a> (supplementary information)<br \/>\n<a href=\"http:\/\/www.npr.org\/2010\/11\/19\/131447060\/from-bach-to-beer-bottles-the-physics-of-music\">NPR: The physics of music<\/a><\/p>\n<p><big><br \/>\n<strong>Scales<\/strong><\/big><br \/>\n<a href=\"http:\/\/www.phy.mtu.edu\/~suits\/scales.html\">Just vs equal temperament*<\/a><br \/>\n<a href=\"http:\/\/jonathanhornthoughts.blogspot.com\/2009\/07\/just-intonation-vs-equal-temperament.html\">Just intonation vs. equal temperament<\/a><br \/>\n<a href=\"https:\/\/en.wikipedia.org\/wiki\/Just-noticeable_difference\">Just Noticeable Difference*<\/a><br \/>\n<a href=\"http:\/\/www.skytopia.com\/project\/scale.html\">12 golden notes*<\/a><br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/04\/MagicNumberSeven-Miller1956.pdf\">Magic number seven (plus or minus two)<\/a> (Miller, 1956)*<\/p>\n<p><big><br \/>\n<strong>Pitch &amp; Key<\/strong><\/big><br \/>\n<a href=\"http:\/\/cnx.org\/content\/m19009\/latest\/\">Random music generator<\/a><br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/04\/octaveequiv.pdf\">Octave generalization in monkeys<\/a> (Wright et al., 2000)*<br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/04\/temperley-maai.pdf\">A bayesian approach to key-finding<\/a> (Temperley, 2002)<br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/03\/Krumhansl-diagram.png\">Probe tone ratings figure<\/a> (Krumhansl, 1999)<\/p>\n<p><big><br \/>\n<strong>Brain and Biology<\/strong><\/big><br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=46aNGGNPm7s\">Audio transduction video<\/a><br \/>\n<a href=\"http:\/\/www.youtube.com\/watch?v=dyenMluFaUw\">Cochlear animation*<\/a><br \/>\n<a href=\"http:\/\/www.cns.nyu.edu\/~david\/courses\/perception\/lecturenotes\/pitch\/pitch.html\">Basilar membrane*<\/a><br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=s2Kk8d7H8R4\">Basilar Membrane Video*<\/a><br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/04\/basilarmembrane.jpg\">Basilar membrane picture*<\/a><br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/04\/neuronalRepofPitch.pdf\">Neuronal representation of pitch in primate auditory cortex<\/a> (Bendor &amp; Wang, 2005)<br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/04\/TheoryOfResonance.pdf\">Psychoacoustics<\/a> (1.6 MB, pdf)<br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/04\/CorticalTopography.pdf\">Cortical topography of tonal structures underlying Western music<\/a> (Janata et al., 2002)<br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/04\/WhatTheFrogsEyeTellsTheFrogsBrain.pdf\">What the frog&#8217;s eye tells the frog&#8217;s brain<\/a> (Lettvin, Maturana, McCulloch, &amp; Pitts, 1968)**<br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2018\/10\/eyeDiagram.png\">Eyeball diagram**<\/a><br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2018\/10\/rodsCones-copy.png\">Rod\/Cone density**<\/a><br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/04\/the_eye_and_seeing.pdf\">The eye and seeing<\/a><br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/04\/Hubel__Wiesel.pdf\">Brain mechanisms of vision<\/a> (Hubel &amp; Wiesel, 1979)**<br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2019\/10\/Homunculus.jpg\">Homunculus Diagram**<\/a><\/p>\n<p><big><br \/>\n<strong>Gestalt<\/strong><\/big><br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/04\/Gestalt_Intro.pdf\">Gestalt Powerpoint**<\/a><br \/>\n<a href=\"http:\/\/www.ncbi.nlm.nih.gov\/pmc\/articles\/PMC3482144\/\">Gestalt Psychology in Visual Perception<\/a><br \/>\n<a href=\"http:\/\/www.users.totalise.co.uk\/~kbroom\/Lectures\/gestalt.htm\">Gestalt Theory of Visual Perception<\/a><br \/>\n<a href=\"http:\/\/www.smashingmagazine.com\/2014\/03\/design-principles-visual-perception-and-the-principles-of-gestalt\/\">Design Principles of Gestalt<\/a><br \/>\n<a href=\"http:\/\/webspace.ringling.edu\/~ccjones\/curricula\/07-08\/seqdesign\/Gestalt.ppt\">Gestalt Principles Powerpoint<\/a><br \/>\n<a href=\"http:\/\/webpages.mcgill.ca\/staff\/Group2\/abregm1\/web\/downloadstoc.htm\">Auditory streaming (Bregman)**<\/a><br \/>\n<a href=\"http:\/\/www.michaelbach.de\/ot\/\" target=\"_blank\" rel=\"noopener noreferrer\">Optical illusions (including apparent motion)**<\/a><\/p>\n<p><big><br \/>\n<strong>Temporality in Humans and Other Animals<\/strong><\/big><br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/04\/timing-chapter.pdf\">Book chapter on timing (includes peak procedure)<\/a> ***<br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/04\/Gerstner1998Physiol-Behav.pdf\">Temporal dynamics of chewing<\/a> (Gerstner &amp; Cianfarani, 1998) ***<br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/04\/Evidence-of-time-constant.pdf\">Evidence of a time constant associated with movement patterns in six mammalian species<\/a> (Gerstner &amp; Goldberg, 1994) ***<br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/04\/perin.pdf\">Evidence toward a delay-of-reinforcement gradient<\/a> (Perin) ***<br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/04\/Moving-in-the-beat-of-Seconds-1.pdf\">Moving in the beat of seconds<\/a> (Feldh\u00fctter, Schleidt, &amp; Eibl-Eibesfeldt, 1990) ***<br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/energy-expense\/\">Energy expense in gait produces a time scale<\/a> (includes Rose-Gamble law)<br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/04\/urbansoundscape.pdf\">Temporal structure of urban soundscapes<\/a> (Botteldooren, De Coensel, &amp; De Muer, 2006) ***<br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/04\/Gilden2009Neuropsychology-1.pdf\">Contraction of time in ADHD<\/a> (Gilden &amp; Marusich, 2009) ***<br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/04\/PaineGilden.pdf\">Temporal beginnings and endings<\/a> (Gilden &amp; Paine, 2013)<br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/03\/allometryofpresentmoment.docx\">Allometry of the present moment<\/a> [height-rhythm relationship experiment] (Gilden &amp; Mezaraups, forthcoming)<br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/03\/mates.pdf\">Temporal Integration of Sensorimotor Sychronization<\/a>\u00a0(Mates, Radil, Muller, &amp; Poppel, 1994)<br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/03\/Staddon-MemoryNotAClock.pdf\">Not A Clock<\/a>\u00a0(Staddon, 2005)<br \/>\n<a href=\"https:\/\/www.fossilhunters.xyz\/mitochondria\/the-power-laws-of-biology.html\">Kleiber&#8217;s Law<\/a>\u00a0***<br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2019\/09\/stupidinamerica.pdf\">Metrical Categories in Infancy and Adulthood<\/a> (Hannon &amp; Trehub, 2005)<\/p>\n<p><big><strong>Memory<\/strong><\/big><br \/>\n<a href=\"http:\/\/www.radiolab.org\/story\/91570-eternal-sunshine-of-the-spotless-rat\/\" target=\"_blank\" rel=\"noopener noreferrer\"><i>Eternal Sunshine of the Spotless Rat<\/i><\/a> (Radiolab podcast)**<br \/>\n<a href=\"http:\/\/users.ipfw.edu\/abbott\/120\/Ebbinghaus.html\" target=\"_blank\" rel=\"noopener noreferrer\">Hermann Ebbinghaus&#8217; memory experiment**<\/a><br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/04\/WorkingMemory.pdf\">Working memory: The multiple component model<\/a> (Baddeley &amp; Logie)**<br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/03\/art3A10.37582FBF03335138.pdf\">A serial position effect in recall of United States presidents<\/a> (Roediger &amp; Crowder, 1976)**<br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/implicit-working-memory\/\">What is working memory and what is it good for?**\u00a0<\/a><br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/03\/1545ca4cdad4f480f2fab8fd505a5b7f7603.pdf\">Short-term retention of individual verbal items<\/a> (Peterson &amp; Peterson, 1959)<br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/03\/1-s2.0-S0022537175800454-main.pdf\">Word length and the structure of short term memory<\/a> (Baddeley, Thomson, &amp; Buchanan, 1975)**<br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/03\/uaapmenevxjvqjb0.pdf\">The Word-length Effect and Disyllabic Words<\/a> (Lovatt, Avons, &amp; Masterson, 2000)<br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=FWSxSQsspiQ\">The Door Study **<\/a><br \/>\n<a href=\"https:\/\/www.dailymail.co.uk\/femail\/article-5259349\/Are-change-blind-Test-reveals-observant-are.html\">Change Blindness Demo**<\/a><br \/>\n<a href=\"http:\/\/www2.psych.ubc.ca\/~rensink\/flicker\/download\/index.html\">Better Change Blindness Demos**<\/a><\/p>\n<p><strong><br \/>\n<big>Complex Systems<\/big><\/strong><br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/04\/Gardner-WhiteBrownFractalMusic.pdf\">White, brown, and fractal music<\/a> (Gardner, 1914) ***<br \/>\n<a href=\"https:\/\/en.wikipedia.org\/wiki\/How_Long_Is_the_Coast_of_Britain%3F_Statistical_Self-Similarity_and_Fractional_Dimension\">How Long is the Coast of Britain?<\/a> ***<br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/04\/fractalmusic.pdf\">Preferences for fractal music<\/a> (Beauvois, 2007)<br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/04\/SOC.pdf\">Self-organized criticality<\/a> (lecture slides) ***<br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/04\/1-fNoiseInHumanCog.pdf\">1\/f noise in human cognition<\/a> (Gilden, Thornton, &amp; Mallon, 1995) ***<br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/04\/CognitiveEmissionsof1-fNoise.pdf\">Cognitive emissions of 1\/f noise<\/a> (Gilden, 2001) ***<\/p>\n<p><strong><br \/>\n<big>Dopamine<\/big><\/strong><br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/04\/musicdopamine.pdf\">Anatomically distinct dopamine release during anticipation and experience of peak emotion to music<\/a> (Salimpoor, Benovoy, Larcher, Dagher, &amp; Zatorre, 2011)<br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/04\/EmotionalSourcesOfChillsInducedByMusic.pdf\">The emotional source of &#8220;chills&#8221; induced by music<\/a> (Panksepp, 1995)<br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/04\/horvitz.pdf\">Dopamine responses to salient non-reward events<\/a> (Horvitz, 2000) ***<br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2019\/09\/musicPleasure.pdf\">Music and it&#8217;s neural substrates<\/a> (Zatorre &amp; Salimpoor, 2013)<br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2019\/09\/IntenselyPleasureMusic.pdf\">Music correlates with reward and emotion centers<\/a> (Blood &amp; Zatorre, 2001)<\/p>\n<p><big><br \/>\n<strong>Music and Emotion<\/strong><\/big><br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/04\/CHAP1.pdf\">Huron chapter 1: Expectation<\/a> (1.2 MB, pdf)<br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/04\/CHAP2.pdf\">Huron chapter 2: Surprise<\/a> (1.4 MB, pdf)<\/p>\n<p><big><br \/>\n<strong>Music and Language<\/strong><\/big><br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/04\/musicaluniversals.pdf\">Structure of human speech predicts musical universals<\/a> (Schwartz, Howe, &amp; Purves, 2003)<br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/04\/Patel_Daniele_Cognition.pdf\">Empirical comparison of rhythm in language and music<\/a> (Patel &amp; Daniele, 2003)<\/p>\n<hr \/>\n<p><strong>Links:<\/strong><br \/>\nWhen we find interesting things on the internet relevant to the course they will be listed here.<\/p>\n<p><big><br \/>\n<strong>Gestalt<\/strong><\/big><br \/>\n<a href=\"http:\/\/en.wikipedia.org\/wiki\/Gestalt_psychology\">Gestalt psychology on wikipedia<\/a><\/p>\n<p><big><br \/>\n<strong>The Physics of Sound<\/strong><\/big><br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=-n1d1rycvj4\">Standing wave rope demo<\/a><br \/>\n<a href=\"http:\/\/www.youtube.com\/watch?v=3mclp9QmCGs\">Tacoma Narrows Bridge<\/a><\/p>\n<p><big><br \/>\n<strong>In the Ear<\/strong><\/big><br \/>\n<big><\/big><\/p>\n<p><big><strong>How to Read Sheet Music<\/strong><\/big><br \/>\n<a href=\"http:\/\/www.datadragon.com\/education\/reading\/\">Intro to reading music<\/a><\/p>\n<p><big><br \/>\n<strong>Recursion, Chaos Theory, and Fractals<\/strong><\/big><br \/>\n<a href=\"http:\/\/en.wikipedia.org\/wiki\/Logistic_map\">Logistic Map (on wikipedia)<\/a><br \/>\n<a href=\"http:\/\/fractalfoundation.org\/OFC\/OFC-10-4.html\">How long is the coast of Britain?<\/a><\/p>\n<p><big><strong><br \/>\nMiscellaneous<\/strong><\/big><br \/>\n<a href=\"https:\/\/eev.ee\/blog\/2016\/09\/15\/music-theory-for-nerds\/\">Blog post: Music theory for nerds<\/a> (<a href=\"http:\/\/archive.is\/OrN8w\">archived<\/a>)<br \/>\n<a href=\"http:\/\/labs.la.utexas.edu\/gilden\/files\/2016\/03\/Spreading-Activation-MeyerSchvaneveldt1971.pdf\">Meyer &amp; Schvaneveldt, 1971 (spreading activation)<\/a><br \/>\n<a href=\"https:\/\/docs.google.com\/presentation\/d\/1JSyNw3kjRlmou8lnIsLMAknjabxWfM2eJLiSjML3_jY\/edit?usp=sharing\" target=\"_blank\" rel=\"noopener noreferrer\">Deliberate Practice<\/a> (Google Presentation)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Professor: David Gilden Office: SEA 5.118 Email: dgilden@utexas.edu Office hours: By Zoom appointment Study Questions Readings: You can access the readings for class here. Some of the readings are in PDF format, and others are links to other websites. NOTE: To view pdf files, you need Adobe Acrobat reader. If you do not have Acrobat [&hellip;]<\/p>\n","protected":false},"author":103,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","footnotes":""},"class_list":["post-47","page","type-page","status-publish","hentry","entry"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"site-graphic":false},"uagb_author_info":{"display_name":"djh2697","author_link":"https:\/\/labs.la.utexas.edu\/gilden\/author\/djh2697\/"},"uagb_comment_info":0,"uagb_excerpt":"Professor: David Gilden Office: SEA 5.118 Email: dgilden@utexas.edu Office hours: By Zoom appointment Study Questions Readings: You can access the readings for class here. Some of the readings are in PDF format, and others are links to other websites. NOTE: To view pdf files, you need Adobe Acrobat reader. If you do not have Acrobat&hellip;","_links":{"self":[{"href":"https:\/\/labs.la.utexas.edu\/gilden\/wp-json\/wp\/v2\/pages\/47","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/labs.la.utexas.edu\/gilden\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/labs.la.utexas.edu\/gilden\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/labs.la.utexas.edu\/gilden\/wp-json\/wp\/v2\/users\/103"}],"replies":[{"embeddable":true,"href":"https:\/\/labs.la.utexas.edu\/gilden\/wp-json\/wp\/v2\/comments?post=47"}],"version-history":[{"count":103,"href":"https:\/\/labs.la.utexas.edu\/gilden\/wp-json\/wp\/v2\/pages\/47\/revisions"}],"predecessor-version":[{"id":1003,"href":"https:\/\/labs.la.utexas.edu\/gilden\/wp-json\/wp\/v2\/pages\/47\/revisions\/1003"}],"wp:attachment":[{"href":"https:\/\/labs.la.utexas.edu\/gilden\/wp-json\/wp\/v2\/media?parent=47"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}